A writer
needs to read her text with the eye of an illustrator, looking at each and
every paragraph to consider what pictorial images might complement them. If she
cannot imagine illustrations for each paragraph, then she can be said to have
failed the illustrator ‘test’, and so she must re-write. Laura Harris, Publishing Manager Penguin Books says, ‘One of the
main reasons picture book texts get rejected is that the writer doesn’t give
the illustrator enough to work with.’
Successful
picture book authors show they have an understanding of the value of every word
in the picture book text and the huge importance of the role of the illustrator
as the book’s co-creator.
Here’s what other publishers and
illustrators have to say with regard to the use of illustrations in picture
books
Elaine Ousten, publisher, Morris Publishing
Australia: I advise
picture book authors to do a storyboard to help them decide which part of the
story needs to be in words, and which part of the story will be told by the
illustrations. For instance; it is not
necessary for the words to say, ‘John got a huge, red ball for his birthday. He
loved it.’ The picture will show that the ball is huge and red. All the words
need to say is, ‘John loved the ball he got for his birthday.’ The best picture
books are the ones written and illustrated by the same person, because they
understand how to let the illustration tell a part of the story.
Paul Collins, publisher Ford Street Publishing: Picture book authors need to
leave room for their collaborator: the illustrator! Illustrators show colours
and much more, so authors’ descriptions needn't be so detailed. The best
picture books are those where the author and illustrator are perfectly in
synch.
Ann James, illustrator: To write a picture book
the writer knows less is more, but that each word is potent and a cue for
interpretation by the artist.
Shaun Tan, illustrator: I accept manuscripts ...
that give much room for me to play and to tell my own stories visually, (that
have) a certain ambiguity . . . that resist being fully explained.”
Ron Brooks, illustrator: To make a picture book,
the words have to turn my heart around, make me go hollow in the belly, weak at
the knees.”
Lesley
Vamos, illustrator: Picture book authors should understand that as
illustrators we are there to capture the vision of the world you've created. It
is our job to infuse the text with the knowledge and skills we have gleamed
from years of practice so when push comes to shove there needs to be room for
us to do our job. I like it when picture book authors are enthusiastic,
collaborative and know when to give their illustrators space. The best picture
books don't talk down; they tell a great story with illustrations that
visualise a world and inspire and enthuse a child's imagination!
Jill Carter-Hansen, illustrator: I like it when picture book
authors acknowledge the contribution of research, preparation and work hours
that is the in-put of the illustrator. The most thoughtful illustrators usually
create clues and side plots to enliven the text and give added meaning and
visual interest for both the child and adult reader. This genre is not called a
'picture' book for nothing. However, often in reviews, illustrations are
mentioned at the close of the article as a kind of afterthought, with what
appears to be a lack of understanding as to the amount of time and
consideration that most engaging illustration work requires.
Kerry Millard, illustrator: I like a text to move minimally so that I can visually create extra layers and stories.The best picture books take best
advantage of the imagination and skills of author and illustrator (and editor
and designer) resulting in a whole which is true to the story and intent in
every aspect, and at the same time is delighting in the seamless harmony of the
variety of approaches through which the creators have interpreted and
represented the text.
The work
is a pas de deux which is elevated
when author and illustrator are both able to create to their fullest potential
while respecting and interpreting the core. The less restrictive the
choreography, the more room there is for the talent of the creators.
In
summary, the best picture books are created by authors who know the illustrator will work their magic; the
successful author uses the few words which they have distilled to
convey rich and essential story elements and to creatively set up space and
timing for equally rich possibilities in the visual elements.
© Dianne Bates
www.enterprisingwords.com.au
No comments:
Post a Comment